5 edition of Sol Lewitt, structures, 1962-1993. found in the catalog.
Published
1993
by Museum of Modern Art in Oxford
.
Written in English
Edition Notes
| Contributions | Museum of Modern Art (Oxford, England) |
| Classifications | |
|---|---|
| LC Classifications | NB237.L49 A4 1993 |
| The Physical Object | |
| Pagination | 127 p. : |
| Number of Pages | 127 |
| ID Numbers | |
| Open Library | OL20727229M |
| ISBN 10 | 0905836782 |
Iles, Chrissie, ed. Sol LeWitt Structures, – Exh. cat. Oxford: Museum of Modern Art Oxford, LeWitt, Sol. “Ziggurats.” Arts Magaz no. 1 (November ): 24– LeWitt, Sol. “The Cube.” Art in America (Summer ); reprinted in Adachiara Zevi, ed., Sol LeWitt: Critical Texts, edited by Adachiara Zevi. Rome: I Libri di AEIOU, Sol LeWitt Art Real Next Years I became interested in making books, starting about , when I did the Serial Project #1, deciding that I needed a small book to show how the work could be understood and how the system worked.
Book as System: The Artists’ Books of Sol LeWitt, an exhibition curated by publisher Emanuele De Donno at Printed Matter, surveys LeWitt’s . Find many great new & used options and get the best deals for Sol Lewitt: Structures, (, Hardcover) at the best online prices at eBay! Free shipping for many products!
Solomon "Sol" LeWitt (September 9, – April 8, ) was an American artist linked to various movements, including Conceptual art and Minimalism. [1]LeWitt came to fame in the late s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. Click to read more about Sol Lewitt: Structures, por Sol LeWitt. LibraryThing is a cataloging and social networking site for booklovers. Tudo sobre Sol Lewitt: Structures, por Sol LeWitt. O LibraryThing é um sítio de catalogação e uma rede social para amantes de livros.
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Sol LeWitt: Structures - [Iles, Chrissie & Others] on *FREE* shipping on qualifying offers. Sol LeWitt: Structures - Author: Chrissie & Others Iles.
Review of the exhibition "Sol LeWitt – Structures " at Villa Stuck, Munich. In this exhibition of the sculptural oeuvre, as it was developed by LeWitt within 30 years, the spectrum ranged from serial grid structures to the models. Sol LeWitt; Sol LeWitt; Sol LeWitt: Document Type: Book: All Authors / Contributors: Museum of Modern Art (Oxford, England) ISBN: OCLC Number: Notes: Published to accompany the exhibition, Sol Lewitt - structures,Museum of Modern Art, Oxford, 24 Jan.
- 28 March and subsequent tour. The book includes essays by Nicholas Baume Sol Lewitt Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual Sol Lewitt.
Structures Sol LeWitt Sol Lewitt, 24 January - 28 March Modern Art Oxford Oxford, United Kingdom. Sol LeWitt (), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his Sol Lewitt and brilliantly coloured wall drawings.
Throughout his career. Sol Lewitt, structures, by Museum of Modern Art (Oxford, England), Sol Lewitt 2 editions - first published in Not in Library.
Sol LeWitt used lines, geometric solids, ratio, patterns, formulas, and permutations to create his modern structures and wall paintings. The ziggurat and set-back skyscraper had the greatest influence on LeWitt's Four-Sided structure (LeWitt did not use the term "sculpture" for his three-dimensional art) is made of blocks stacked and stepped back in an orderly pattern and is based.
Sol LeWitt: Structures, –, Public Art Fund, City Hall Park, New York, May 24–December 2, (Catalogue) Sol LeWitt: Arcs and Lines, Paula Cooper Gallery, New York, May 7–July 1, Sol LeWitt: Structures and Drawings, Barbara Mathes Gallery, New York, April 28–J His “structures”, as he preferred to call sculptures, were variations on geometric shapes, constructed from steel, polyurethane, or concrete, often featuring stacked cubes without sides.
LeWitt is one of the seminal artists of the late 20th and early 21st centuries, influencing artists like Eva Hesse and Frank Stella, among countless others.
Wikipedia entry Introduction Solomon "Sol" LeWitt (September 9, – April 8, ) was an American artist linked to various movements, including Conceptual art and came to fame in the late s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography.
Wall Structure Blue () LeWitt used traditional materials-oil and pigment on wood-when he produced Wall Structure format, a colorful square within the framework of a larger square, imitates traditional painting with the red bulls-eye in the center calling attention to an imagined narrative and to the symmetry imposed by convention.
Sol LeWitt was an iconic American artist whose work helped to establish both Minimalism and Conceptual Art.
View Sol LeWitt’s 5, artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
See available prints and multiples, works on paper, and sculpture for sale and learn about the artist. - Sol LeWitt Structures -Museum of Modern Art, Oxford, England (and subsequent tour) - Sol LeWitt Drawing -Haags Gemeentemuseum, The Hague.
Sol LeWitt has 47 books on Goodreads with ratings. Sol LeWitt’s most popular book is Between the Lines: A Coloring Book of Drawings by Contemporary A. Sol LeWitt by S. Lewitt, unknown edition, Sol LeWitt: structuresdrawingsMuseum of Modern Art Not in Library. Sol LeWitt: booksPortikus, Verlag der Buchhandlung Walther König in English zzzz.
Not in Library. Solomon "Sol" LeWitt (September 9, – April 8, ) was an American artist linked to various movements, including Conceptual art and Minimalism.
LeWitt came to fame in the late s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation and artist. For nearly five decades, starting in the early s, Sol LeWitt was at the forefront of minimal and conceptual art.
LeWitt's structures (a term he preferred to sculpture) are generally composed with modular, quasi-architectural forms. The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual.
LEWITT, SOL (–), U.S. sculptor, printmaker, draftsman, conceptual artist. LeWitt worked serially, exploring the same concept in several media: books, prints, wall drawings, drawings on paper, and structures (the artist's preferred terminology for his "sculptures"). His June essay "Paragraphs on Conceptual Art" serves as LeWitt's.
Sol LeWitt was born in Hartford, Connecticut. He studied at Syracuse University, New York, where he received his BFA. He started Serial Project No. 1, also publishing a series of books constituting a parallel system. Sol Le Witt: Structures. Learn More about Sol LeWitt. Sol LeWitt on Google; Sol LeWitt at MoMA; Sol LeWitt was born in in Hartford, Connecticut.
His parents were of Russian-Jewish descent. LeWitt attended Syracuse University and received a bachelor's degree in Fine Arts in He then moved to New York City, where he worked as a graphics designer.Sol LeWitt: The Well-Tempered Grid by Christianna Bonin, Erica DiBenedetto, Charles Haxthausen and Sol Lewitt Sol LeWitt: Structures, by Nicholas Baume Sol LeWitt: Artist's Books by Didi Bozzini, Giorgio Maffei, Emanuele De Donno and Sol Lewitt Sol LeWitt: Views by Susan Cross and Denise Markonish The acclaimed exhibition Sol LeWitt: A Retrospective, featured at SFMOMA from February 19 toand now on view at the Whitney Museum of American Art, traced the evolution of LeWitt’s work—including wall drawings, structures, works on paper, photographs and books—from the austere, reductive aesthetic of the s to the sensual.
